#813: Judas and the Black Messiah / The Letter (40s Noir #1)

The new Fred Hampton biopic JUDAS AND THE BLACK MESSIAH gives as much time to the FBI informant (Lakeith Stanfield) who infiltrates Hampton’s Black Panthers as it does to Hampton himself (Daniel Kaluuya). Adam and Josh debate the effectiveness of that decision, which recalls atypical biopics like “Amadeus,” “Hamilton” and “Jesus Christ Superstar.” Plus the first film in the six-part ’40s Noir Marathon, William Wyler’s THE LETTER, with Bette Davis as a conniving murderer; and Josh anoints the new religious horror movie SAINT MAUD with a Golden Brick nomination.

0:00 - Billboard
1:06 - Review: “Judas and the Black Messiah”
24:09 - Next Week
29:48 - Brickspotting: “Saint Maud”
33:55 - Giveaways / Notes
40:46 - Massacre Theatre
48:17 - ‘40s Noir #1: “The Letter”
1:16:57 - Outro